上海BFC-网页版

BFC外滩金融中心南区地下二层商业改造：榫卯之间，重构东方日常

在上海外滩，历史与未来从来不是对望，而是交织。BFC外滩金融中心南区地下二层的改造，正试图以一座地下商业空间的蜕变，回应这片土地的文化厚度。原为超市的区域，现以“食与农可持续生活方式”与“东方美学纪念馆”为双核定位，升级为兼具东方气韵与当代体验的主题空间——它既是本地居民的日常补给站，亦是游客感受外滩东方文化的沉浸式场所。

设计的起点，是对地理文脉的敏锐捕捉。项目背靠外滩新艺术建筑群，步行可达豫园。前者贡献了流动的铸铁曲线与几何装饰语言，后者则留存着中国木构营造的最高智慧——榫卯。设计团队并未直接挪用飞檐或雕花，而是将榫卯“凹凸咬合、无钉无胶”的建构哲学抽象为空间骨骼，贯穿于天花节点、柱体交接与展架体系之中。这种骨骼是隐性的，它不制造视觉喧嚣，却为整个空间赋予了温润的秩序感与时间的韧性。

空间的核心策略是“双重结构”：固定硬装作为背景，可拆卸软装作为前景。硬装中预埋了两种技术接口——天花可变轨道灯系统与墙体标准间距挂槽，形成光与物的悬挂网络。这使空间脱离了对固定展陈的依赖，未来任何一场非遗主题展（如竹编、织造、印染），均可借助接口快速悬挂大型装置或精细作品，照明亦可同步适配。软装则独立为模块化组件：移动展台、折叠坐具、轻质桁架，所有构件与挂槽匹配，可随时重组或撤换。由此，空间成为一个“持续策展的容器”，而非一次定型的装修。

外滩的装饰元素未被遗忘，而是被转译为更克制的细节：柱身黄铜嵌条以新艺术风格的曲线律动呼应历史立面，导视与店招的边框融入柔和的圆弧倒角，与榫卯的直线构成刚柔对话。这种处理使东方主体性与海派在地性达成平衡，空间既有豫园园林的静气，又不乏外滩建筑装饰的精致。

最终，这片地下空间从封闭超市蜕变为开放、可变的复合场所。它用榫卯串联起时间——过去的手艺、当下的生活、未来的可能，都在同一片屋檐下共生。当游客步入其中，感受到的不是一个被“设计”出来的场景，而是一个能够生长、变化并与他们互动的东方日常现场。

BFC Bund Financial Center South Zone B2 Commercial Renovation: Between Mortise and Tenon, Reconstructing Eastern Everyday Life

In Shanghai’s Bund district, history and future are never merely juxtaposed—they intertwine. The renovation of the B2 level at the South Zone of BFC Bund Financial Center seeks to respond to this cultural density through the transformation of an underground retail space. Formerly a supermarket, the area is now repositioned with a dual core: “sustainable food and agriculture lifestyles” and “an Eastern aesthetics memorial hall.” It is upgraded into a themed commercial space that embodies Eastern temperament while offering contemporary experiences—serving both as a daily provisioning hub for local residents and an immersive venue for visitors to engage with Bund‑contextualized Eastern culture.

The design begins with a sensitive reading of the site’s geographical and cultural context. The project sits behind the Bund’s Art Nouveau architectural ensemble and is within walking distance of Yu Garden. The former contributes flowing cast‑iron curves and geometric ornamental vocabulary, while the latter preserves the highest wisdom of Chinese timber construction—mortise‑and‑tenon joinery. Rather than directly appropriating flying eaves or carved motifs, the design team abstracts the joinery’s philosophy of “interlocking without nails or glue” into the spatial skeleton, threading it through ceiling nodes, column connections, and display shelving systems. This skeleton remains understated; it creates no visual clamor, yet it imbues the entire space with a warm sense of order and temporal resilience.

The core spatial strategy is a “dual‑layer structure”: fixed hard finishes as the background, and detachable soft furnishings as the foreground. Two technical interfaces are pre‑embedded into the hard finishes—a track lighting system on the ceiling with adjustable angles, color temperatures, and sliding paths, and standardized hanging slots on walls and columns at modular intervals—forming a suspension network for both light and physical objects. This liberates the space from permanent display fixtures. For any future intangible‑cultural‑heritage exhibition (such as bamboo weaving, textile art, or dyeing), large installations or delicate works can be quickly suspended via these interfaces, while the lighting adapts synchronously. The soft furnishings are independently modularized: mobile display tables, foldable seating, lightweight hanging trusses—all components matching the hanging slots and reconfigurable or removable at any time. The space thus becomes a “curation‑continuously‑ready vessel” rather than a one‑time, fixed renovation.

The decorative elements of the Bund are not forgotten but translated into more restrained details: brass inlays on columns adopt the undulating curves of Art Nouveau to echo the historical facades; signage and storefront frames incorporate soft rounded corners, creating a dialogue between curvature and the straight lines of mortise‑and‑tenon. This approach balances Eastern subjectivity with local Shanghai character, giving the space both the tranquility of Yu Garden’s classical aesthetics and the refinement of the Bund’s ornamental heritage.

Ultimately, this underground space evolves from a closed supermarket into an open, adaptable composite venue. It uses mortise‑and‑tenon to connect time—past craftsmanship, present daily life, and future possibilities all coexist under one roof. When visitors step inside, they do not encounter a “designed” stage set, but a living field that grows, changes, and interacts with them—an everyday Eastern scene, reimagined.

业主：北京城建东华房地产开发有限责任公司

类型：商业

设计范围：室内设计

规模：560平方米

项目状态：进行中

设计时间：2026

项目地址：北京